Showing posts with label Critique Partners. Show all posts
Showing posts with label Critique Partners. Show all posts

Sunday, December 16, 2012

Happy Holidays, Friends, Family and Blog Followers!

I am SO excited for today's blog, because my dear friend, and critique partner, Sarah J. Bradley has just released her latest romantic suspense novel, "Fresh Ice"!  Having already read this novel, I can tell you that it's got everything one is looking for in a great romance - longing, unrequitted love, suspense, excitement, tragedy, a handsome hero, a lovely heroine, conflict and a villain you don't want to meet up with on the street!  If you haven't read anything by Sarah J. Bradley, you must start now!  All her novels are available at Amazon.com, Barnes and Noble.com, and Smashwords.com and its affiliates.

I'm also pleased to tell you that I've known Sarah for many years.  She is one of the kindest, wittiest, cleverest, and talented women I know.  And I'd like you to know her too!  So, without further ado, here is the author interview she recently granted me regarding her new novel, "Fresh Ice"!

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Fresh Ice by Sarah J. Bradley

 
1.  Congratulations on the new book, "Fresh Ice". Tell us about it!  Izzy Marks is recently widowed and finds out that her husband, unbeknownst to her, has bankrupted the family.  With nothing to hold her in Wisconsin, she moves to Nashville where her daughter goes to college, and where Izzy grew up as a notaionally ranked pairs' figure skater.  There she meets former NHL bad boy, Quinn Murray.  Quinn's got a raft of issues all his own, but he's been in love with Izzy since the first day he saw her skate on television, and he's determined to rebuild his reputation so he's good enough for her.
 
2.  What inspired your story?  First it was my critique partner, Linda Schmalz.  Hey, that's you!  I had a completely different storyline in mind for this book, but after reading the first few chapters, as you probably recall, you hated everything except the names of the main characters.  Then along comes my cousin, Jill.  After reading my first novel, "Dream in Color," Jill said she liked the rock and roller romance, but she felt, with my love of hockey, that I should write a romance involving a hockey player.  She even went so far as to connect me with her very good friend and NHL superstar, Jeremy Roenick.  That phone call changed the course of my book, and literally built Quinn Murray's character.  Writing Izzy was not as easy, and again I have you, Linda, to thank for her.  We were walking your dog one night during the last winter Olympics and I was bemoaning the fact that Izzy bored me.  "If she could be something interesting, like a figure skater..."  I said.  "So make her a figure skater,"  you said.  And thus, the book was reborn.
 
3.   This is your third romantic suspense novel. What draws you to this genre?  Well I'm all about the tall, dark, and damaged heroes!  I also grew up loving TV shows where people were constantly being rescued, and I think that has a lot to do with how I write.  I also believe that everyone is connected in some way through our pasts, and that we wind up paying for past sins one way or another.  My second novel, "Lies in Chance" was all about how our past connects us in a web.  I sort of echo that theme, albeit a bit more obviously, with Fresh Ice.  Throw in broken hearts, and evil villains, and I'm hooked.  Since I like to write the type of stories I like to read or watch, I guess I'm hooked on the romantic suspense.
 
4.  What is your writing process like?  It's a mess.  I would not recommend anyone take my approach to writing at all, ever.  :)  I work full time and have a side business on weekends, so I write by inspiration, when I have time.  And I write like some people put together puzzles:  I write scenes and then figure out where they all go as I go along.  I depend heavily on my critique partners, who definitely have a challenge keeping my character continuity complete.  (Say that three times fast!)  Oh, and I get inspired by random songs, so the first thing I have to start before I get serious about writing, is a soundtrack, and that's something that builds as the story builds.  I was adding songs to the soundtrack for "Fresh Ice"  as I was writing the words "the end."  But thank goodness for my iTunes account because every song I added helped me sort out a character one way or another.  In fact, I have The New Minstrel Revue to thank for most of the book because their song "Thank you for Asking" was vital for both Quinn and for my other main male character, Collier.  I should also thank the band "Toto" for their music which made every skating scene sing.
 
5.  Do you get writer's block, and if so,how do you over come writer's block?  I don't think of it as writer's block.  I think of it as days I write and days I don't feel inspired.  Again, if you are writing, do not write like I do!  To over come a lack of inspiration, I play the songs on the soundtrack over and over, and I try and watch movies or TV shows where there's peril and a good looking male lead who has a checkered past.  I watch a lot of "JAG" reruns.  (Physically speaking, David James Elliot IS Quinn Murray.)  Also, if I'm really not inspired, I crack open a bottle of pinot noir, and just start writing.  I may toss everything out the next day, but I usually find something in there worth keeping.
 
6.  If your novel were made into a movie, who would you cast in the roles?  THAT would be easy!  David James Elliott for Quinn.  Kari Turner  (also of JAG)  for Izzy.  Kevin James  (King of Queens)  for Benny.  And I see Russell Crowe , for reasons all my own and because Collier is getting his own book at some point, for the role of Collier James.  As for my villain, the red headed Serena, I see in my head who I always see in my head for my villains, the brilliant soap actress Elizabeth Keifer, (Blake Marler from "Guiding Light.")  In her prime she was the very best at being beautiful and oh so bad.  So we'd have to find someone like her to play pretty much all my lethal beauties.
 
7.  What songs would be on the movie soundtrack? Besides "Thank you For Asking"  and "Won't hold you Back"  I have to add another Toto song, "Stop Loving you"  Night Ranger's "Good bye" Enya's "Last Time by Moonlight" and "Stars and Midnight Blue." James Durbin's "Deeper" And Rick Springfield's version of "Broken Wings."  (My apologies to Mr. Mister, but Rick's voice has a more broken quality to it.)  Rick would also have "Blue Rose" and "Free" on the soundtrack.  Oh, and of COURSE  TOFOG would have "Other ways of Speaking" and "Inside her Eyes."  So there's all that!  :)
 
8.  What do you like to read?  My husband has been really good at finding great books for me to read.  Currently I'm reading J.K. Rowling's "A Casual Vacancy" and loving it.  I love anything Phillipa Gregory and Andrianna Trigiani put out.  Oh, and I have this new author who's a special favorite...Linda Schmalz.  :)  Her first novel, "A Lonely Sky" is breathtaking. (Interviewer's note: Thank you!)
 
9.  Any advice for new writers starting out?  Keep writing.  Write, write, and write some more.  Have critique partners you trust.  You don't even have to meet them ever, although it doesn't hurt.  But have critique partners.  Enter a couple contests, get feedback there.  Get into a writing class, most tech schools or junior colleges offer them.  Check your local park and rec department for a writers' group.  Talk to writers, drink coffee, and talk to more writers.  But you must keep writing.
 
10.  What is the best writing advice you ever received? What is the worst?  The best came from Author J. A. Konrath.  He spoke at a conference and it was the first time I'd ever heard an established author talk about the joys and sense of e-publishing.  Then I got to sit next to him at a book signing at that same conference.  It was a gift because it was like my own private tutoring session.  
 
 
The worst advice?  "write what you know."  Oh sure, if you're starting out, you probably shouldn't write a 900 page opus on World War I, unless, of course, you are a World War I scholar.  And in all my books there's a lot of me, and my real life.  But "Fresh Ice" is  a huge step for me because there's less of me in this book than in my two previous, and I think this is my strongest story yet.  I think if authors only write what they know, we'd have far fewer dramatic romances and a lot more stories about picking up kids and taking them to soccer practice.  Reading is an escape.  Writing should be also.
 


11.  What part of the writing process do you find easy, and what part do you find difficult?  Starting something new is hard.  That completely blank screen is scary.  The writing itself is easy and fun, even though I grumble sometimes because my characters aren't behaving.  Editing is not so much fun, especially that final line edit when you're not really reading, you're just dotting i's and crossing t's.
 
12.  Panster or planner? Pantster.  Now and forever.
 
13. What can we expect next from author Sarah Bradley?  2013 is going to be the year of Elsie W.  I've been promising friends and Sunday School students that I'd write my stories about a former co worker of mine.  I have enough material for three books and that's my project for 2013.  It's going to be a big departure because 1)  It'll be nonfiction, 2)  It'll be funny and 3)  It'll be under a different name.  (I have to protect the innocent on this one.)
 
14.  And in the spirit of the holiday, what is your favorite Christmas song?  Carol of the Bells.  Any version of that song.  It so embodies the holidays as we know them.  A slow, peaceful start, the way we all intend the holidays to be.  By the end, it's frantic and wild, like most of our holidays turn out.
 
15.  Any last words? Don't buy the hype buy the story.  Read independent authors.  Often the stories are fresher, because publishing houses don't publish what they think they can't sell and they don't want something new, they want something that they know will sell.  Which is why we still have a million vampire stories coming out.  And if you do read a book that is published by a small press or published independently, please leave a positive review.  New authors and e-authors have no advertising budget.  All they have is word of mouth.  
 
 
Thank you, Sarah!  And now folks, here's where you can easily access and buy Sarah's book!
 
 

Monday, November 5, 2012

What To Expect When You're Expecting a Critique Partner


Okay, let’s start off with a disclaimer. I am not an expert in anything regarding writing, with the exception of being an expert on writing my own novels.  LOL.  I do, however, know a bit about having and being a critique partner, what to look for when choosing one (I have six, I'm like a critique partner hoarder!) and what they should and shouldn’t do while critiquing your precious baby, your novel.

First of all, no writer is an island.  It takes a village to raise a novel. Seriously. Yes, you alone are the all-knowing author, but let’s face it, your novel is your baby, and we all tend to think our babies are simply the most beautiful beings God ever graced the earth with.

Well, I hate to burst your bubble, but you can’t fairly judge your own writing or find all your own typos, and yes, you’re going to have to admit it, and I’m sorry if it hurts, but sometimes your grammar will suck and you just won’t see it. This is where the Critique Partner (i.e. the nanny of  your novel) comes in. She/he can look at your baby objectively and tell you why your baby lost that last beauty contest. But, your critique partner should be able to do this in a way that doesn’t make you stop writing your novel, stop writing forever, or start you plotting...their murder. Also, your critique partner is not God. Her/his ideas, changes, suggestions, corrections, whatever, are NOT the almighty answer to your writing challenges. They are simply his/her opinions and it’s up to you to buck up, read them for what they are worth, and then decide if these suggestions work for your story. 

That was a quick overview, so let me simplify things by offering a few guidelines when a selecting critique partner.

1.  Have more than one critique partner. Some people like to meet with a critique group. Hey, if that works for you, more power to you. Unfortunately for me, I don’t have a group of writers to do this with, so I do critiques on-line with six wonderful women. SIX?  Yes, six. Now, I would recommend having just about two or three, but each of my critique partners are unique in their own critiquing skills and strengths, so I’m loath to give any of them up. So six works for me. Why do I recommend more than one critique partner? Simple: one set of eyes will not find everything wrong with your book, trust me. What if your one critique partner is great finding typos but doesn’t know when your grammar has gone south?  What if your one critique partner is a grammar guru but is weak on judging plot lines, point of view, or style? I have found that by having more than one person critique my novel, each person usually finds something else the others may have missed. For instance:

Critique Partner A:  She is amazing at tightening up my writing. She knows where to cut words.  Also, she’s very good at telling me where I need to add more “heat” into my romantic scenes.

Critique Partner B:  She is awesome with finding point of view errors in my novel, no matter how subtle.  CP-B also finds a lot of little typos that others miss …extra spaces in text, etc.

Critique Partner C:  My newest critique partner and I’m so glad I took her on!  She is a word master!  She finds words that I use incorrectly.  For instance, I had my heroine “procure” a bun to her head. Only CP-C realized that the correct word is “secure” not “procure”.  

Critique Partner D:  She is super knowledgeable about history and what did or did not happen, what people wore or did not wear, said or didn’t say, at just about any given time period in history.  She’s like my own private researcher. She is also constantly on my case about choosing stronger and more unique verbs and descriptive words. 

Critique Partners E and F:  They are really good for my ego. LOL. They are my cheerleading squad and seem to adore everything I write. But they do also find errors in my work and so when these two don’t like something, I fix it.

2.  Your Critique Partner is Not God.  Just because a critique partner suggests you change “the floor was dirty” to “the dirty floor” doesn’t mean you have to. However, (and this is where I find having more than one critique partner helpful), if more than one of your critique partners suggest the same change, change it. Let’s say Critique Partner A suggests a change that I don’t agree with and none of the other partners find anything wrong with that particular prose. I won’t make the change. If however, CPs B and C would suggest that change along with Partner A, whether or not I disagree with them, I will make the change. Three people have found something wrong with that sentence. That screams “CHANGE IT.” And I do. And so should you.

2.  Which leads us to, the actual critique. My strongest advice to you, when receiving a critique back, is to make sure you’ve inserted your spine. Be prepared to hear that your baby is not quite as pretty as you imagined, and you need to do a little mothering.  Believe me, I have sent chapters to my critique partners thinking it was the most brilliant, perfectly written piece of prose even know to man, only to have them send it back with highlighted typos, weak verbs, etc. the list goes on.  Do not get mad at your critique partners for their suggestions; this is what you’re paying them the big bucks (LOL) for.

3.  There is no crying in Critique-ball.  Seriously. A returned critique should not be so harsh it makes you cry, nor should your critique of someone else’s work be so harsh, you make them cry. Nor should a critique make you feel like you’re a horrible writer and dear God, whatever were you thinking taking pen to paper, or fingers to keyboard. If a critique makes you feel like you want to destroy your work and never write again, your critique partner is a horrid critique partner and it’s time to tell them, in the immortal words of Justin Timberlake, “Baby, bye, bye, bye”. 

2. If a critique partner only glorifies your work and never finds ANYTHING for you to fix, they’re not doing you any good, either.  Something will need to be fixed. If your critique partner never suggests anything for you to think about or change, they’re not doing their homework and you’re paying them (LOL) way too much.  Again, you may have to tell this critique partner “bye-bye”.

3.  A good critique partner explains their suggestions, they just don’t fix or change your writing. If someone is simply rewriting your prose, and you’re not understanding why, you aren’t learning anything from critiques and not advancing as a writer. If a suggestion from your critique partner confuses you, ask them about it! But don’t WHINE about it. There’s a big difference there.  

4. A good critique partner gives you positive encouragement along with pointing out your errors. Not only should they suggest ways to improve your work, they should also tell you what is good about your work. If you’re only get negative feedback from a critique partner, they are doing you a disservice.

5.  Critique partners should not try to change your plot. This is your story, and no one has the right to tell you how the plot should go. They may ask you to change a character somehow, or maybe change a setting to somewhere that works better, but the basic plot and theme are yours.  If someone wants to completely change your story, then it no longer becomes your story, it becomes theirs. Stick to your guns, or tell that critique partner, bye-bye.

6. Learn from and share your knowledge with your other critique partners!  I have learned so much from my wise and talented critique partners. Through them, I believe my writing improves with each critique. I take to heart their knowledge and try to use it in my own critiques so that my other writing friends benefit as well.  Remember, it takes a village!

I hope I’ve given you some good guidelines to follow for finding a good, supportive critique partner and for writing supportive critiques yourself.  Again, I’m no expert, I just know what works for me, and by sharing this information, I hope someone will benefit and sell that book!

Best wishes on your writing journey!

Coming soon:  "A Day in the Life"...Remembering A Friend.